art for communism's sake

Maybe I was overreacting, but I was very offended by an art project that I had to do recently. I knew beforehand that I would find it distasteful, because my teacher said we'd be doing something fun. She first had us each draw various body parts, enough for anatomical correctness but still separate images. Then she had us pool all of our work, which she doled out randomly. We each ended up with the correct number of each feature or appendage, but none of them matched and none of them belonged to the original artist. We then had to make a picture using our new pieces by cutting, pasting and drawing in the missing body structure. If you think this sounds like fun, then we cannot be friends.

I object to the project on principle.

I drew well. My pieces looked good. But the pieces I had to use for my project looked like crap. The legs especially: I had to replace my Princess Diana shapely heel-clad leg with something that resembled a four-year-old's interpretation of a tree. And the dim-wits who produced such atrocities received my carefully shaped and shaded features. Yes, I was angry that I had put in so much effort in return for crap. I am angry that I had to put my name on their work and that they could put theirs on mine. I feel that I got punished for doing my best. This is more than a dumb art project. This is communism in practice: from each according to his ability, to each according to his need. Am I overreacting? Is it "just an art assignment"? Evil on any level, macro or the very insignificant micro, is still evil and must be resisted as such. To punish virtue and reward vice is corrupt and immoral.

Another immorality she supported is putting one's name on another's work. I believe that is called cheating and is frowned upon by the Honor Code.

In addition, the final product looked terrible. Every single one of them. Granted, I put no effort into improving the failures of others, but some people tried very hard to correct the mess they were give to work with. None of them looked at all good. My teacher thought this was funny. I thought it was a sacrilege, a blasphemy to the name of art. We didn't start with a blank canvas to be shaped by our skill. We were given a chaotic muck and held to the same standard of creative production. Our only options were to accept a poor product by doing no work or twice the work, but the end result was ugly, no matter what we did. It wasn't even art for art's sake, because we wasted talent on carnage, the murder of art. Calling such ugliness art is a crime.

I really think that the project was an exercise in communism. So just remember kids: communism results in ugly misshapen people.

rejection

I rarely check my Gmail account, because I have only sent three emails with it. They were three submissions to literary journals. I have received two rejections, and I keep waiting for the third. I wonder when I'll finally get it so I can stop waiting. I think receiving bad news is better than anticipating it.

cell discretion

I have decided that there is one very nice thing about cell phones: nobody knows when you are obsessively waiting for a call, because you, like everyone around you, have your phone on your person constantly. It helps a girl retain some pride.

under my umbrella

I have taken to walking to and from school with an umbrella. I carry it rain or shine, most especially shine. I got really sick of the perpetual sunburn on my arms, neck, ears and nose. Not only do I hate my nose being red, but also with the red comes the pain. My skin constantly hurt. And no, it does not turn into a tan. Ever. It stays burned. So I am taking a page out of Scarlet O'Hara's book and carrying what my friend John calls a parasol. I call it an umbrella. It's a plain black, no nonsense, umbrella that certainly doesn't fit the description of anything so feminine and decorative as a parasol. I like it because it looks functional. I'm not trying to make a fashion statement, or to draw attention to myself; I am trying to be comfortable.

One of my biggest fears, no joke, is sunburn. It's right up there with fears of abandonment and failure. I get physically ill when I see a sunburn, and I cringe in direct sunlight. I have been traumatized by sunlight.

When I was little, the rule about swimming was that I had to wear spf 50 sunscreen and a tee-shirt, or I had to stay in the shade. Even then, I always came away burned and often carried blisters for days. These were not innocuous blisters but mean inch-long pulsing beasts raised half an inch off of my skin, covering my shoulders and back. I've sat in baths of ice to ease the burning, which continued from the inside out, cooking my legs after a day at the lake. I needed blessings for healing after an afternoon at the pool. I've borne scars for months, delineating exactly where my shirt ended and my neck began.

That's not the worst I've ever experienced, however.

In August of 2003, I went on a road trip to California with Alyessa. We spent three hours on the beach, applying and reapplying sunscreen often. To be safe, I donned jeans after an hour to further protect my legs. It didn't help. The next day I woke up paralyzed, my legs bent at the knee as though I were crouching. The skin looked like maroon leather and the muscles underneath formed strange hard lumps, shriveled up from the heat. Alyessa had to physically stretch out my legs, a little at a time, until I could stand. The pain was horrendous, the tearing and burning that no medication could mask fully. We had to repeat this process every time I needed to walk. On the two-day drive home, I shuffled with my legs crouched under me, in the same position they had been in as I sat, whenever we stopped at a gas station. At home, I had to remain in bed, face down, while antibiotic cream and aloe were applied to the wound. My legs swelled to a uniform cylindrical shape. Joyce said I had "thankles" (thigh-ankles). When I began walking, I used my dad's cane and crouched, so as not to tear the shriveled muscles. I began to stretch them slowly, but two weeks later I still had to use the cane and walk very slowly.

My roommates don't remember my first three days in our apartment when I used a cane, and they never saw the scars. But anyone I have lived with knows my rather extreme reactions to witnessing sunburns. I preached sunscreen and deplored tanning. I kept aloe on hand, ready to dole out at any provocation. I never swam in daylight, though I had no issue with wearing swimming suits. I wore jeans no matter how hot it got.

Some of these things have changed. I still think tanning is stupid, and I advocate use of aloe. But I do wear shorts now, and skirts, quite often. It's the only thing that makes the heat bearable. But I haven't lost the fear of the sun. To compensate I carry my little black umbrella, and I smile at the sideways glances tossed my way. I don't mind looking foolish: I'd rather be practical and appear foolish than vice versa. And while a parasol may be a little silly, my umbrella is nothing if not practical.

tact

The following is a true story told by my professor about his friend.

A young woman and her date arrived at a formal ball, the entrance of which required the descent of a long flight of stairs into the middle of the room. Her date wore a tux and she wore a gown and together they prepared to make a graceful appearance. At the top, the girl extended her foot to take a step, but she snagged her shoe in the front hem of her dress. She tumbled head over heels the entire way down the curving staircase, her date running beside her, futilely trying to catch her. When she landed at the bottom, she rose immediately to her feet, uninjured but extremely embarrassed. All eyes were on her. Before she could recover herself, her date fished for his wallet and pulled from it a twenty-dollar bill. Handing it to her, he said casually, "Well, I admit, I didn't think you had the guts to do it."

My professor told this story to demonstrate the idea that interpretation of a situation changes its meaning, as well as Goffman's definition that tact is the protection of another's performance.

Bravo, to the stud in the tux!